介绍

油画系

油画系的前身为国立艺术院西画系，创立于1928年，1954年正式更名为油画系，是中国现代意义上最早设立的高等油画教育机构。在近百年的发展历程中，中国美院油画系始终走在时代的前列，它不仅是中国现代艺术教育形成和发展的标志，也在一定程度上代表了中国高等艺术教育的最高水平。中国美术学院作为国内“双一流”建设高校，油画是具有重要支撑意义的核心专业之一。

Oil Painting Department

The predecessor of the Oil Painting Department was the Western Painting Department of the National Academy of Art, founded in 1928. It was officially renamed the Oil Painting Department in 1954, making it the earliest institution of higher education in oil painting in the modern sense in China. Throughout its nearly century-long history, the Oil Painting Department at the China Academy of Art (CAA) has consistently been at the forefront of its time. It is not only a hallmark of the formation and development of modern art education in China but also represents the highest level of advanced art education in the country. As a "Double First-Class" university in China, CAA regards oil painting as one of its core disciplines with crucial supportive significance.

创院之初，林风眠院长和吴大羽主任等一代中国早期油画艺术教育宗师，从艺术史和艺术风格等具体问题入手，“从寻求艺术之原始”和“寻求艺术构成之根本方法”来剖析、体察中西艺术，鲜明地提出了“介绍西方艺术、整理中国艺术、调合中西艺术、创造时代艺术”的口号与学术主张，并由此形成兼融并蓄的学术传统和教育理念。在近百年的教育实践中，油画系产生了林风眠、吴大羽、关良、倪贻德、颜文樑、赵无极、朱德群、董希文、罗工柳、莫朴、黎冰鸿、苏天赐、吴冠中等一大批蜚声中外的著名艺术家及教育家，为中国美术的发展事业做出了巨大贡献。

At its inception, founding figures and early masters of Chinese oil painting education such as Director Lin Fengmian and Head of the Department Wu Dayu engaged with specific issues of art history and style. They analyzed and contemplated Chinese and Western art by "seeking the origins of art" and "seeking the fundamental methods of artistic construction," clearly proposing the slogan and academic principle: "Introduce Western art, systematize Chinese art, reconcile Chinese and Western art, and create art of our time." This formed an inclusive academic tradition and educational philosophy. Over nearly a hundred years of educational practice, the department has produced a large number of renowned artists and educators famous both in China and abroad, including Lin Fengmian, Wu Dayu, Guan Liang, Ni Yide, Yan Wenliang, Zao Wou-Ki (Zhao Wuji), Chu Teh-Chun (Zhu Dequn), Dong Xiwen, Luo Gongliu, Mo Pu, Li Binghong, Su Tianci, and Wu Guanzhong, who have made tremendous contributions to the development of Chinese art.

新中国成立后，油画系遵照党的文艺路线和教育方针，强调理论和实践相结合的教育方法，提出“现实主义的、中国民族的、中国革命的美术教育”，建立了具有“浙美”油画系特点的艺理并重、多元并举的教学体系，成为新中国油画艺术教育和创作的重要研究基地。这其中，肖峰、全山石等新中国第一代留苏艺术家为油画系的专业教学注入了新的活力，极大提升了油画系的办学水平，可谓功不可没。1960年，罗马尼亚油画家埃乌琴·博巴应中国文化部邀请到我校举办为期两年的油画训练班，史称“罗训班”，它和中央美术学院的“马克西莫夫油画训练班”一道，为新中国的油画教育做出了影响深远、不可磨灭的重要贡献。

After the founding of the People's Republic of China, the Oil Painting Department adhered to the Party's guidelines on literature, art, and education, emphasizing an educational method that integrated theory and practice. It advocated for "a realist, Chinese national, and Chinese revolutionary art education," establishing a teaching system characteristic of the "Zhemei" (Zhejiang Academy of Fine Arts, precursor to CAA) Oil Painting Department that valued artistic skill, theory, and pluralism. It became an important research center for oil painting education and creation in New China. Among these efforts, the first generation of artists who studied in the Soviet Union, such as Xiao Feng and Quan Shanshi, brought new vitality to the department's professional teaching, which are invaluable contributions in enhancing the educational quality. In 1960, at the invitation of the Chinese Ministry of Culture, the Romanian oil painter Eugen Popa came to CAA to hold a two-year oil painting training program, historically known as the "Romanian Training Class". Together with the "Maksimov Oil Painting Training Class" at the Central Academy of Fine Arts, it made profound and indelible contributions to oil painting education in New China.

改革开放以来，中国当代绘画艺术在理论和实践上都得到了重大突破，油画系在强调基础教学的同时，以“两端深入”的姿态，既重视对西方油画艺术传统的回溯与研究，也重视对现代艺术观念的探索和思考。强调绘画视觉活动的过程性研究，以对中国文化精神和当代艺术精神的研究为双翼，执守以写生为基本点的基础教学形式，继承中西融合的思想线索，建立了整体展开、层层叠进的教学方法论体系。1985年，赵无极重返母校举办为期一个月的“赵无极训练班”，油画系部分师生在赵无极的直接教学指导下，重新思考自我及当下艺术创作。同年，以油画系85届毕业创作所引发的“85运动”，书写了改革初期中国艺术运动的新篇章；10年后的1995年，油画系将“具象表现绘画”作为试点引入教学改革实践，在国内引起强烈反响，成为中国美术学院办学历史上又一次思想解放的重要标志，其影响至今不衰。

Since the Reform and Opening-Up, Chinese contemporary painting has achieved major breakthroughs in both theory and practice. While emphasizing foundational teaching, the Oil Painting Department adopted a stance of "in-depth exploration at both ends", valuing both the retrospective study of the Western oil painting tradition and the exploration and consideration of modern artistic concepts. It stresses the procedural research of visual activities in painting, using the study of Chinese cultural spirit and contemporary art spirit as dual wings. Adhering to foundational teaching forms based on sketching, inheriting the thread of thought integrating Chinese and Western art, it established a comprehensive, layered, and progressive teaching methodology system. In 1985, Zao Wou-Ki (Zhao Wuji) returned to his alma mater to conduct a one-month "Zao Wou-Ki Workshop", where faculty and students under his direct guidance reconsidered themselves and contemporary art creation. That same year, the graduation creations of the class of 1985 sparked the "'85 Movement", writing a new chapter in the Chinese art movement of the early reform period. A decade later, in 1995, the department introduced "Figurative Expression Painting" into its teaching reform practice and generated a strong response in China, which has become another major mark of ideological liberation in CAA's history and influences till now.

2004年11月，在许江院长的盛情邀请下，83岁高龄的赵无极先生再次返回母校并在油画系进行现场教学示范。凝神观视中，时光仿若回到往昔，赵无极浑然忘我的绘画状态、无拘无束的尽情挥洒，细致严谨的观物方式，又重现了当年“赵无极短训班”时的教学风采。

2015年，根据学校院系调整的统一部署，原油画系、版画系、壁画系、综合绘画系共同组成中国美术学院绘画艺术学院。目前，绘画艺术学院油画系实行“两段式”教学机制，一年级学生在造型基础部进行宽口径、厚基础的培养，二年级至四年级在专业系课中进行工作室制教学。油画系根据中国油画艺术创作的发展状况与学院的历史传承脉络，设立了四个工作室，分别为历史与主题性绘画工作室、新具象绘画工作室、具象表现绘画工作室、多维表现绘画工作室。工作室教学涉及多元艺术教育体系的建立与实践，以开启学生的艺术个性，培养较高素质创造型人才为根本目的。

In November 2004, with the warm invitation of President Xu Jiang, the 83-year-old Mr. Zao Wou-Ki (Zhao Wuji) returned once again to his alma mater and held a live teaching demonstration in the Oil Painting Department. In those moments of intense observation, time seemed to turn back, as Zao Wou-Ki's self-forgetful painting state, unrestrained expression, and meticulous way of viewing objects recreated the teaching style of the earlier "Zao Wou-Ki Short Workshop."

In 2015, according to the university's unified deployment for departmental adjustments, the former Oil Painting Department, Printmaking Department, Mural Painting Department, and Comprehensive Painting Department were merged to form the School of Painting at the CAA. For now, the Oil Painting Department within the School of Painting implements a "two-stage" teaching mechanism: first-year students receive broad-based and solid foundational training in the Foundation Department, while students from second to fourth year undergo studio-based teaching within the professional department. Based on the development status of Chinese oil painting creation and the academy's historical lineage, the Oil Painting Department has established four studios: the History and Theme Painting Studio, the New Figurative Painting Studio, the Figurative Expression Painting Studio, and the Multi-Dimensional Expression Painting Studio. Studio teaching involves the establishment and practice of a pluralistic art education system, aiming to inspire students' artistic individuality and cultivate high-quality creative talents.

在全国高校第四轮学科水平评估中，包括油画专业在内的中国美术学院“美术学”学科被评为“A＋”等级，入选“世界一流学科建设学科”。2021年，打通连贯油画系四个工作室教学的“色彩——油画写生语言”，先后获评教育部“国家级一流本科课程”及“国家级课程思政示范课程”。

经过多年的建设，油画系除招收本科及硕士研究生外，目前还招收“具象表现绘画”及“具象写实绘画”两个方向博士研究生。

油画系历任系主任有吴大羽、黎冰鸿、王德威、全山石、郑胜天、胡振宇、许江、章仁缘、杨参军、何红舟、封治国等著名艺术家。

现任系主任：赵军，副主任：来源、尹骅。

In the fourth round of China's national disciplinary assessment, CAA's "Fine Arts" discipline, which includes oil painting, was rated "A+," and it was selected as a "World-Class Discipline Construction" subject. In 2021, the course "Color – The Language of Oil Painting Sketch", which integrates teaching across all four studios of the Oil Painting Department, was successively awarded the Ministry of Education's "National First-Class Undergraduate Course" and "National Model Course for Ideological and Political Education."

After years of development, besides enrolling undergraduate and Master's students, the Oil Painting Department now also admits Ph.D. students in two directions: "Figurative Expressionist Painting" and "Figurative Realist Painting."

Past heads of the Oil Painting Department include renowned artists such as Wu Dayu, Li Binghong, Wang Dewei, Quan Shanshi, Zheng Shengtian, Hu Zhenyu, Xu Jiang, Zhang Renyuan, Yang Canjun, He Hongzhou, and Feng Zhiguo.

Current Department Head: Zhao Jun. Deputy Heads: Lai Yuan, Yin Hua.

办学体系

办学方向与培养目标

中国美术学院绘画艺术学院遵循具有中国特色的社会主义办学方向，以“立德树人”为根本要义，秉承“视觉艺术东方学”为核心的学科发展模式，以“四通人才”（品学通、艺理通、古今通、中外通）为总体培养目标，不断拓展国际化建设新格局，培养面向未来的高层次专业绘画艺术专门人才，为中华民族艺术事业的振兴而努力。

油画系以绘画艺术学院“技艺与方法——大绘画时代绘画方法论的思考与重建”为核心目标，持续优化工作室教学，多维度回应当代油画创作的新格局，努力建构以“工作室——实验室——研究所”为依托的三环体系。同时，油画系着眼于专业融通与学科内涵深化，以多元拓展与本体增强相结合的教学框架，从现实主义精神深化、中国精神融合、具象表现绘画等诸多角度展开教学实践，培养既关注语言本体，又兼具国际视野，以探索油画艺术前沿发展的高点与亮点，持续引领大绘画背景下的油画教学、研究和创作实践。

Educational System

Educational Direction and Training Objectives

The School of Painting at the China Academy of Art adheres to the socialist educational orientation with Chinese characteristics, guided by the fundamental principle of "Fostering Virtue through Education". Its disciplinary development is anchored in the framework of "Oriental Studies in Visual Art", with the overarching objective of cultivating well-rounded talents—individuals who excel in both scholarship and virtue, integrate artistic practice with theory, possess a deep understanding of past and present, and build bridges between China and the world. The School continuously expands its international profile, dedicating itself to training high-level, specialized painting talents for the future and contributing to the revitalization of the Chinese nation's artistic endeavors.

The Oil Painting Department focuses on the School's core mission: "Technique and Method – Reflecting Upon and Reconstructing Painting Methodology in the Era of 'Grand Painting'." It continuously refines its studio-based teaching to address the new, multidimensional landscape of contemporary oil painting creation. The Department is building an educational system supported by the triad of "Studio, Laboratory, and Research Institute", emphasizing professional integration and deepening disciplinary substance. Through a teaching framework that balances pluralistic expansion with ontological enhancement, it conducts teaching practices centered on themes such as deepening the realist spirit, integrating the Chinese spirit, and figurative expression. The ultimate aim is to cultivate talents with an international vision who also possess a profound grasp of the ontology of painterly language, exploring the frontiers and pinnacles of oil painting, thereby leading the way in teaching, research, and creative practice within the context of "Grand Painting".

教学思想

油画艺术是起源于欧洲的一门具有世界性影响并随时代发展而发展的艺术门类。油画系教学高度重视全球境域中发展着的油画艺术传统与中国艺术精神的融合，重视理论研究与油画技艺的磨砺，重视油画本体语言与艺术个性培养的融通。在“大绘画”的新格局下，当代油画教育应当兼具传统的厚度和思想的高度，油画教学的内涵及外延应随着时代的发展而不断注入新的活力与养分。

Educational Philosophy

Oil painting, an art form that originated in Europe, has exerted a worldwide influence and continues to evolve. The Oil Painting Department's curriculum is designed to integrate the evolving global tradition of oil painting with the Chinese artistic spirit. It is committed to honing skills in both theoretical research and painting technique, while fostering a fusion of the medium's intrinsic language with the cultivation of artistic individuality. Within the new context of "Grand Painting," contemporary oil painting education must be grounded in traditional depth while achieving intellectual height. Furthermore, the very substance and reach of oil painting pedagogy should be continuously infused with new vitality as times change.

基本框架

（1）油画系实行工作室制教学。一年级学生在造型基础部进行宽口径、厚基础的学习，二年级经融通课后进入相应工作室，采取个人志愿与工作室选拔相结合的方式。

（2）油画系以四个工作室教学为总体格局，各工作室以自己的研究方向，贯彻各工作室的学术思想，根据工作室的教学计划和大纲实施教学，并结合课题建设形成特色课程，体现其教学面貌。

（3）油画系教学以四个工作室为框架，建立了多元追求的艺术学习格局。工作室教学以方法体系的建设与实践为宗旨，开启学生的艺术个性，培养具有较高素质的“四通”人才。

工作室简介

第一工作室

学术宗旨：强调油画的叙事性传统和现实主义精神的艺术追求方向。

学术思想：强调作为历史主体的“人”的精神塑造，强调整体文化视野中的思想资源和自我认识,强调主题性绘画的历史感的显现，强调油画叙事性表现的传统与发展。

教学特色： 学习和吸收人文视野中广泛的思想资源，在此基础之上涉入主题叙事性绘画语言的学习与思考。本工作室教学重视传承古、今、中、外主题性绘画的现实主义优秀遗产，研究西方油画的传统技法，并以民族文化与时代情感的融合来塑造富于历史感的精神内涵。

历史沿革：它承袭了油画系艺术发展的主脉，承袭了教学中大型历史画、主题性绘画及写实性绘画的传统。

师资特点：该工作室的教师都有对历史画，大型主题性绘画的创作经验和教学经验。

特色课程：开设有大型绘画解析、传统油画语言研习、情境性绘画写生等特色课程。

现任工作室主持：尹骅；教师：崔小冬、邬大勇、封治国、常青（外聘）、吕鹏。

The First Studio

Academic Tenet:
Emphasizes the narrative tradition of oil painting and the artistic pursuit of the realist spirit.

Academic Philosophy:
It focuses on the spiritual portrayal of "human beings" as historical subjects, engaging with intellectual resources and self-awareness within a broad cultural context to manifest a historical sensibility in thematic painting and to advance the tradition and development of narrative expression in oil painting.

Teaching Focus:
The studio's teaching is grounded in learning from and absorbing a wide range of intellectual resources within a humanistic framework. This foundation supports the study and reflection on the language of thematic narrative painting. The program emphasizes inheriting the outstanding realist legacy of thematic painting from both Eastern and Western traditions, researching traditional Western oil painting techniques, and shaping a spiritually rich historical connotation through the integration of national culture with contemporary sentiment.

Historical Development:
The studio inherits the principal lineage of the Oil Painting Department’s artistic development, continuing its tradition of teaching large-scale historical, thematic, and realist painting.

Faculty Profile:
All faculty members possess extensive experience in the creation and teaching of historical and large-scale thematic paintings.

Featured Courses:
Courses include: Analysis of Large-scale Painting, Study of Traditional Oil Painting Language, and Contextualized Life Painting.

Current Head of Studio: Yin Hua
Faculty: Cui Xiaodong, Wu Dayong, Feng Zhiguo, Chang Qing (Guest Faculty),Lv Peng

第二工作室

学术宗旨：强调具象绘画在当代语境的多种可能性，体现时代精神的艺术追求方向。

学术思想： 强调“主客”合一的创造性表现，强调在油画描绘性传统的继承的基础上体现绘画本身的生机和生意，使绘画走出摹仿性的圈子，而安顿在艺术世界的创造之中。

教学特色：重视传统的写生精神的培养，重视严谨的治学精神与创作热情相结合，重视造型意识和色彩的个性语言相结合。提倡各种具象艺术流派的共存，提倡对前人优秀成果的了解和学习，提倡在写生意义呈现过程中来开启学生的艺术个性。

历史沿革：继承和发展具象油画语言与中国艺术精神相结合的传统。

师资特点：该工作室教师具有长期具象绘画的创作研究和教学经验。

特色课程：开设有自选主题创作、大空间人物写生等特色课程。

现任工作室主持：任志忠；教师：何红舟、来源、王家豪、黄木鉴。

The Second Studio

Academic Tenet:
Explore the diverse possibilities of representational painting in a contemporary context and artistically embody the spirit of the times.

Academic Philosophy:
The studio emphasizes creative expression arising from the unity of subject and object. It seeks to reveal the inherent vitality of painting by building upon oil painting's descriptive tradition, moving beyond mere imitation to anchor itself in the creation of a distinct artistic world.

Teaching Focus:
The studio prioritizes cultivating a traditional approach to painting from life, combining rigorous scholarship with creative passion, and integrating a sense of form with a personalized color language. It encourages the coexistence of various representational schools, promotes understanding and learning from the exemplary achievements of past masters, and aims to awaken students' unique artistic voices through the process of finding meaning in life painting.

Historical Development:
The studio inherits and develops the tradition of integrating the language of representational oil painting with the spirit of Chinese art.

Faculty Profile:
All faculty members have extensive backgrounds in both the creative practice and teaching of representational painting.

Featured Courses:
Featured courses include: Self-Directed Thematic Creation, and Multi-Figure Painting in Large Space.

Current Head of Studio: Ren Zhizhong
Faculty: He Hongzhou, Lai Yuan,Wang Jiahao,Huang Mujian

第三工作室

学术宗旨：强调具象表现绘画方法论体系、重视与中国传统精神融通的艺术追求方向。

学术思想：以“回到事物本身”为宗旨，强调人与世界相即相融的境域关怀。以现象学为基本方法来揭示视觉的呈现过程，在主客体之间寻求新的思想基础和创作方式，实践中西融合深层次取向的新的可能性。

教学特色：强调“看”的方式，研究和发掘自身视觉方式的表达，强调写生，去除先在的概念或自然主义的理解模式。 强调“人在其中”的境域构成关系，提倡学生在学习中主动遭遇问题，并领悟艺术创作的本质。

历史沿革：它吸取了“现象学”和“存在主义”理论的思想成果，承袭了系十几年来“具象表现绘画基础方法教学”实践的传统。

师资特点：该工作室教师长期致力于该方向的教学与创作实践。

特色课程：开设有风景构成练习、自选主题创作等特色课程。

现任工作室主持：蒋梁；教师：赵军、史怡然、王乐其、张佐。

The Third Studio

Academic Tenet:
To establish a methodological framework for Figurative Expressionist Painting and to pursue its deep integration with the traditional Chinese spirit.

Academic Philosophy:
Guided by the principle of "returning to the things themselves," the studio focuses on the interdependent relationship between humanity and the world. Employing phenomenology as a core methodology, it seeks to reveal the process of visual manifestation. This approach explores new intellectual foundations and creative dynamics between subject and object, experimenting with possibilities for a profound synthesis of Chinese and Western artistic practices.

Teaching Focus:
The studio emphasizes a distinctive "way of seeing", fostering the research and development of personal visual languages. It prioritizes painting from life to transcend preconceived concepts and the interpretation of naturalism. By concentrating on the contextual relationship of "being-in-the-world", it encourages students to actively engage with challenges in their practice, leading to a deeper comprehension of the essence of artistic creation.

Historical Development:
The studio draws on the theoretical foundations of phenomenology and existentialism, continuing the department's decades-long legacy in "Basic Methodological Teaching of Figurative Expressionist Painting."

Faculty Profile:
All faculty members are long-term practitioners deeply committed to teaching and creative exploration in this specific field.

Featured Courses:
Featured courses include: Landscape Composition Studies and Self-Directed Thematic Creation.

Current Head of Studio: Jiang Liang
Faculty: Zhao Jun, Shi Yiran,Wang Leqi,Zhang Zuo

第四工作室

学术宗旨：强调油画的表现性与开放性传统、重视其综合形态的艺术追求方向。
学术思想：重视当代人文精神，重视以绘画的方式认识事物，强调以当代人文思想为思考的基础来建构新的教学思维和平台。强调思想资源的多维化，基础资源的多元化和绘画性表现空间的多样化。要求同学在多种界面上综合地、多维地思考艺术创作的问题。
教学特色：强调对传统绘画精神性的理解，对当代绘画多样性的基本结构进行多元统一的研究。强调对艺术本体和艺术形态进行探索，强调开放创新性原则的自律，注重艺术风格的多样性和可持续发展。
历史沿革：它继承了我系思维开放，注重形式研探的教学传统。
师资特点：该工作室教师在多维的油画表现语言上的探索富有成果，教学经验丰富。
特色课程：开设有空间阐述等特色课程。
现任工作室主持：金阳平；教师：井士剑、李青、余旭红、郭健濂、吉鑫源。

The Fourth Studio

Academic Tenet:
To emphasize the expressive and open tradition of oil painting, pursuing an artistic direction that values its synthesized and multidimensional forms.

Academic Philosophy:
The studio prioritizes the contemporary humanistic spirit and the comprehension of the world through the very practice of painting. It aims to build new pedagogical frameworks and platforms grounded in contemporary humanistic thought. The approach leverages multidimensional intellectual resources, diverse foundational elements, and an expanded scope for painterly expression. Students are encouraged to contemplate issues of artistic creation in a comprehensive and multifaceted manner across various contexts.

Teaching Focus:
The studio emphasizes grasping the spiritual dimension of traditional painting while conducting synthetic research into the fundamental structures underlying contemporary pictorial diversity. It focuses on exploring the ontology and forms of art, maintaining creative discipline within a framework of open innovation, and fostering the diversity and sustainable evolution of artistic styles.

Historical Development:
It carries forward the department's teaching tradition characterized by intellectual openness and a dedicated inquiry into artistic form.

Faculty Profile:
The studio's faculty have achieved substantial results in exploring the multidimensional expressive language of oil painting and possess extensive teaching experience.

Featured Courses:
Courses include: Spatial Discourse and other specialized subjects.

Current Head of Studio: Jin Yangping
Faculty: Jing Shijian, Li Qing, Yu Xuhong, Guo Jianlian,Ji Xinyuan